Last year I came up with a new type of harmonic organization in music that I have named tetramodality. As the name suggests, it involves the blending of four modes, though of course this method could end up being trimodality or bimodality, as well.  In other words, a generic term might be polymodality. The inspiration for polymodality originally came from the technique of planing. For those who don’t know what planing is, it is a technique in which a series of harmonies are sounded such that they move in perfect Continue reading →